Many many thanks National Digital Forum (#NDFNZ) for the opportunity to speak, and share the story (so far) of the project. I hope I conveyed the importance of these stories, and Im thrilled so many people enjoyed the talk. They seemed to like it so much it was talked about more on Twitter in NZ than the weather!
What I forgot to express, in the nervous excitement of the day, was my gratitude to the Ministry of Culture and Heritage who have granted me funding through a New Zealand History Trust Award to help write a book about the flat names project. I am working on it.
All of the papers were interesting, challenging and thought provoking, just as all good conferences are. I was amazed at the quality of information passed on in six short tweets. It was quite an exercise to ensure each tweet was a pure distillation of a concept.
Here’s my contribution:
1 “Hanging out : preserving an ephemeral print culture in Dunedin”. Signs made to mark student habitation http://tinyurl.com/2cgx9ug#twecon
2 In the 1930s flatting was a no-no. Options for ‘digs’ were few: stay home, live in Halls or board. http://tinyurl.com/25etw3w#twecon
3 Liberal divinities students set up the first flat, The Bach, on Leith St. It existed for nearly 10 yrs. http://tinyurl.com/29j35ye#twecon
4 Naming is about creating community in a unique campus environment. Facebook provided a space to connect http://tinyurl.com/26fce88#twecon
5 Creating of a sense of place and identity by naming a flat can have a lasting effect creating an icon http://tinyurl.com/238tazf#twecon
6 Some names endure, some are ephemeral. Hyde Street has a high turnover. They are all worth preserving http://tinyurl.com/24rpnzz#twecon
]]>This is a project about keeping, sharing and making stories. It’s about preserving some rather unique ephemeral artefacts but also about creating content through research and story collection to create a context for these artefacts. It’s a project that began when I was a student of MLIS by distance, while based in Dunedin, and I’m continuing with it still. In this paper I’d like to share my methods and experience as a researcher, trained as a librarian, using libraries and web 2.0 to write a book about Scarfie flats with names.
The naming student flats have been happening in the area of Dunedin North, the main residential area for students at the University of Otago, since the 1930s when flatting had its inception. Since then students have created a sense of place and stamped their identity on the frontages of their flats by naming them. The signs they have created, to display where they ‘hang out’, are an example of an ephemeral aspect of student culture in Dunedin.
The signs themselves, constructed of various media – beer boxes, old whiteboards,
head boards from beds and doors – and then decorated, have been captured
photographically over the last 10 years. Over the decades the signs display not only the proclivities or aspirations of students but also give insights into aspects of popular culture of the time.
Using Flickr, Facebook, Tumblr, Google Maps, and online survey tools I’ve connected with hundreds of students who have contributed to the collection of photos and stories related to these flats. The collections of Dunedin’s libraries have also provided many treasures to help put these pieces of ephemera into their social context.
You cana register for the conference at LIANZA 10.
Hanging Out: preserving an ephemeral print culture in Dunedin
]]>Community Archive, Winter 2010 newsletter featuring a few flat photos
]]>Thankfully I was on before the The Dust Palace, a burlesque group. G-strings and shaving cream would have been a hard act to follow.
A recording should be posted on the International Pecha Kucha site soon.
]]>Sunday March 21 // Dunedin Public Gallery (Moray Place entrance) // no eftpos)
PRESENTER // AREA OF EXPERTISE // TOPIC
Order of presenters:
Full Fucking Moon // artists/musicians // New Age Farming
Marchell J.T. Linzey // Children’s broadcaster// Japanese Influences on a Children’s Radio Show Contrast vs Constant
Joseph Worley // artist // War, Shelter and Origami
Sarah Gallagher // writer/researcher/photographer // Named flats as ephemeral street art
Cathy Helps // artist // Stories of paintings, a faith healer, a farmer and other stuff
Callum Stembridge, Ascia Maybury and Eve Gordon of The Dust Palace an aerial theatre company dedicated to creating from the ideas ‘Magic’ and ‘the Political’ // Burlesque: the struggle to be both sexy and intelligent
CHIT CHAT BREAK // REFRESHMENTS
Ali Bramwell // artist // risk management structures
David Eggleton // poet // How to write a poem
Jay Hutchinson // artist // The Scribble and the Stitch
Christy Flaws // circus performer// Circus and social change
Regan Gentry // artist // Dabbling in Dunedin
Erika Wolf // visual historian // The Post-Socialist Toilet
BACKGROUND
A Pecha Kucha night is like an action-packed slide show. 12 invited presenters show 20 images each, with only 20 seconds to speak to each image (a total of 6.40 minutes per presentation). The magic is the rapid-fire presentation and the diversity of presenters and topics on the night. It is about bringing artists and designers together to share their ideas. Pecha Kucha Nights now take place in over 230 cities around the world.
See the NZ website here: http://www.pechakucha.co.nz/
The world Pecha Kucha site is at: http://www.pecha-kucha.org/
]]>Visit the exhibtion: 10-14 August, The Link (between the Union building and Library on Cumberland St opp. the Museum), University of Otago.
Be part of the project:
I’m writing a book about the named flats here’s how you can be involved:
For further information check out:
Many grateful thanks to the following people for sponsoring this exhibition:
Cheers, Sarah Gallagher
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